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  • Radio Art and Music : Culture, Aesthetics, Politics
    Radio Art and Music : Culture, Aesthetics, Politics

    This book explores the cultural, aesthetic, and political relevance of music in radio art from its beginnings to present day.Contributors include musicologists, literary studies, and cultural studies scholars and cover radio plays, radio shows, and other programs in North American, English, Spanish, Greek, Italian, and German radio.

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  • Streaming Culture : Subscription Platforms And The Unending Consumption Of Culture
    Streaming Culture : Subscription Platforms And The Unending Consumption Of Culture

    The explosion of services such as Netflix, Spotify, Disney+, Apple Music, Amazon Prime and YouTube, which allow us to access content at the click of a button, has turned the norms surrounding cultural consumption upside down.How has this shift to an apparently unending supply of content affected the way we consume our favourite binge-worthy show, blockbuster movie or hot new album release?Positioning streaming alongside a major shift to contemporary capitalism, David Arditi demonstrates that streaming platforms have created an economy where consumers pay more for the same amount of consumptive time.Encouraging us to look beyond the seemingly limitless supply of multimedia content, Arditi calls attention to the underlying dynamics of instant viewing – in which our access to content depends on any given service’s willingness, and ability, to license it.

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  • Music and Youth Culture
    Music and Youth Culture

    Music and Youth Culture offers a groundbreaking account of how music interacts with young people's everyday lives.Drawing on interviews with and observations of youth groups together with archival research, it explores young people's enactment of music tastes and performances, and how these are articulated through narratives and literacies.An extensive review of the field reveals an unhealthy emphasis on committed, fanatical, spectacular youth music cultures such as rock or punk.On the contrary, this book argues that ideas about youth subcultures and club cultures no longer apply to today's young generation.Rather, archival findings show that the music and dance cultures of youth in 1930s and 1940s Britain share more in common with youth today than the countercultures and subcultures of the 1960s and 1970s.By focusing on the relationship between music and social interactions, the book addresses questions that are scarcely considered by studies stuck in the youth cultural worlds of subcultures, club cultures and post-subcultures: What are the main influences on young people's music tastes?How do young people use music to express identities and emotions?To what extent can today's youth and their music seem radical and progressive? And how is the 'special relationship' between music and youth culture played out in everyday leisure, education and work places?Features * The first comprehensive study of popular music and youth cultural studies * Includes rare historical work on pre-1950s youth cultures * Contains original photographs and diagrammatic illustrations.

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  • Studying Popular Music Culture
    Studying Popular Music Culture

    That rare thing, an academic study of music that seeks to tie together the strands of the musical text, the industry that produces it, and the audience that gives it meaning...A vital read for anyone interested in the changing nature of popular music production and consumption" - Dr Nathan Wiseman-Trowse, The University of Northampton Popular music entertains, inspires and even empowers, but where did it come from, how is it made, what does it mean, and how does it eventually reach our ears? Tim Wall guides students through the many ways we can analyse music and the music industries, highlighting crucial skills and useful research tips. Taking into account recent changes and developments in the industry, this book outlines the key concepts, offers fresh perspectives and encourages readers to reflect on their own work.Written with clarity, flair and enthusiasm, it covers: Histories of popular music, their traditions and cultural, social, economic and technical factorsIndustries and institutions, production, new technology, and the entertainment mediaMusical form, meaning and representationAudiences and consumption. Students' learning is consolidated through a set of insightful case studies, engaging activities and helpful suggestions for further reading.

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  • What are event culture and time culture?

    Event culture refers to the way in which events, such as festivals, concerts, and sporting events, shape and influence a society's values, beliefs, and behaviors. Time culture, on the other hand, refers to the way in which a society perceives and organizes time, including concepts of punctuality, scheduling, and the pace of life. Both event culture and time culture play a significant role in shaping social interactions, traditions, and overall societal norms.

  • What are the boundaries of music and culture?

    The boundaries of music and culture are fluid and constantly evolving. Music is a powerful form of cultural expression that can transcend geographical, linguistic, and social boundaries. It can serve as a bridge between different cultures, allowing for the exchange of ideas and traditions. However, music can also be influenced by and reflect the values, beliefs, and practices of a particular culture, creating a sense of identity and belonging. Ultimately, the boundaries of music and culture are shaped by the interactions and exchanges between different communities and individuals.

  • Which music culture do you like the most?

    As an AI language model, I don't have personal preferences, but I can tell you that music cultures are diverse and each has its own unique characteristics that make it special. Whether it's the rhythmic beats of African drumming, the intricate melodies of Indian classical music, the soulful sounds of American jazz, or the energetic rhythms of Latin music, each culture offers something unique and beautiful. It's important to appreciate and celebrate the diversity of music cultures and the richness they bring to the world of music.

  • Which culture is the best culture in the world?

    It is not appropriate to label any one culture as the "best" in the world as every culture has its own unique strengths and values. Each culture contributes to the diversity and richness of the world, and it is important to respect and appreciate the differences among them. Instead of comparing cultures, it is more valuable to learn from and celebrate the diversity of cultures around the world.

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  • Women, Music, Culture : An Introduction
    Women, Music, Culture : An Introduction

    Women, Music, Culture: An Introduction, Third Edition is the first undergraduate textbook on the history and contributions of women in a variety of musical genres and professions, ideal for students in Music and Gender Studies courses.A compelling narrative, accompanied by 112 guided listening experiences, brings the world of women in music to life.The author employs a wide array of pedagogical aides, including a running glossary and a comprehensive companion website with links to Spotify playlists and supplementary videos for each chapter.The musical work of women throughout history—including that of composers, performers, conductors, technicians, and music industry personnel—is presented using both art music and popular music examples. New to this edition: An expansion from 57 to 112 listening examples conveniently available on Spotify. Additional focus on intersectionality in art and popular music. A new segment on Music and #MeToo and increased coverage of protest music. Additional coverage of global music. Substantial updates in popular music. Updated companion website materials designed to engage all learners.Visit the author's website at www.womenmusicculture.com

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  • Flamenco Music : History, Forms, Culture
    Flamenco Music : History, Forms, Culture

    An expert explains and analyzes the beloved art form An iconic symbol of Spain, flamenco has become a global phenomenon.Peter Manuel offers English-language readers a rare portrait of the music’s history, styles, and cultural impact.Beginning with flamenco’s Moorish and Roma influences, Manuel follows the music’s evolution through its consolidation in the mid-1800s and on to the vibrant contemporary scene.An investigation of flamenco’s major song-types looks at rhythm and compás, guitar technique, and many other aspects of the music while Manuel’s description and analysis of the repertoire range from soleares and bulerías to tangos.His overview of contemporary flamenco culture provides insight into issues that surround the music, including globalization, gender dynamics, notions of ownership, and the ongoing debates on purity versus innovation and the relative roles played by Gitanos and non-Gitanos.Multifaceted and entertaining, Flamenco Music is an in-depth study of the indelible art form that inspires enthusiasts and practitioners around the world.

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  • Real Life in Real Time : Live Streaming Culture
    Real Life in Real Time : Live Streaming Culture


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  • Music in North India : Experiencing Music, Expressing Culture
    Music in North India : Experiencing Music, Expressing Culture

    Designed for undergraduates with little or no background in world music, Music in North India is one of several volumes that can be used along with Thinking Musically, the main book in the Global Music Series, in any introductory world music or ethnomusicology course. Music in North India provides an overview of the many styles of North Indian music, from the chants of the ancient Vedas to modern devotional singing; from the serious and meditative rendering of raga to the concert-hall excitement of the modern sitar, sarod, and tabla.The text is framed around three central topics: the devotional component of North Indian music, the idea of fixity and spontaneity in the various styles of Indian music, and the importance of the verbal syllable to the expression of the musical aesthetic in North India.Featuring vivid eyewitness accounts of performances and interviews with performers, this unique volume describes the form, structure, and expression of North Indian music while also illuminating its pronounced religious and cultural significance.It is packaged with a 70-minute CD that includes examples of the music discussed in the text.

    Price: 85.99 £ | Shipping*: 0.00 £
  • Why is Turkish culture often confused with Arab culture?

    Turkish culture is often confused with Arab culture due to several factors. Firstly, both cultures are located in the Middle East and share some similarities in language, religion, and traditional customs. Additionally, there is a historical connection between the two regions through the Ottoman Empire, which had a significant influence on Arab countries. Furthermore, the media and popular culture often portray a homogenized view of the Middle East, leading to misconceptions and generalizations about the diverse cultures within the region. However, it is important to recognize and appreciate the distinct differences and unique aspects of Turkish and Arab cultures.

  • Is culture important?

    Yes, culture is important because it shapes our identity, beliefs, values, and behaviors. It provides a sense of belonging and connection to others within a community. Culture also influences how we communicate, express ourselves, and understand the world around us. Embracing and respecting different cultures can lead to greater understanding, empathy, and cooperation among diverse groups of people.

  • What is the difference between historical culture and memory culture?

    Historical culture refers to the collective understanding and interpretation of historical events, traditions, and customs within a society. It encompasses the tangible and intangible aspects of a society's past, including artifacts, monuments, and rituals. Memory culture, on the other hand, focuses on the ways in which a society actively engages with and remembers its history. It involves the processes of commemoration, memorialization, and the transmission of historical knowledge through storytelling, education, and public discourse. While historical culture is the broader framework of a society's historical identity, memory culture is the active, dynamic practice of remembering and interpreting that history.

  • Do you consider German culture to be a good culture?

    As an AI language model, I don't have personal opinions. However, German culture is rich in history, art, music, and literature. It has made significant contributions to the world in various fields, and its emphasis on efficiency, punctuality, and quality is widely respected. Additionally, Germany's commitment to environmental sustainability and social welfare is commendable. However, like any culture, it also has its complexities and challenges. Ultimately, whether one considers German culture to be "good" is subjective and depends on individual perspectives and experiences.

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