Products related to Electronic:
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Electronic Music Improvisations
'Electronic Music Improvisations Volume 1' is a collection of eight improvised modular pieces recorded in various studio spaces across London in the spring and summer of 2019 by Sunroof, aka Daniel Miller, the founder and chairman of Mute and Gareth Jones, a producer and engineer, notable for working with Depeche Mode, Einstürzende Neubauten, Erasure and Yann Tiersen.
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Performing Electronic Music Live
Performing Electronic Music Live lays out conceptual approaches, tools, and techniques for electronic music performance, from DJing, DAWs, MIDI controllers, traditional instruments, live sound design, hardware setups, custom software and hardware, to live visuals, venue acoustics, and live show promotion.Through case studies and contrasting tutorials by successful artists, Kirsten Hermes explores the many different ways in which you can create memorable experiences on stage.Featuring interviews with highly accomplished musicians and practitioners, readers can also expand on their knowledge with hands-on video tutorials for each chapter via the companion website, performingelectronicmusic.live.Performing Electronic Music Live is an essential, all-encompassing resource for professionals, students of music production courses, and researchers in the field of creative-focused performance technology.
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Broadcasting Fidelity : German Radio and the Rise of Early Electronic Music
A landmark history of early radio in Germany and the quest for broadcast fidelityWhen we turn on a radio or stream a playlist, we can usually recognize the instrument we hear, whether it’s a cello, a guitar, or an operatic voice.Such fidelity was not always true of radio. Broadcasting Fidelity shows how the problem of broadcast fidelity pushed German scientists beyond the traditional bounds of their disciplines and led to the creation of one of the most important electronic instruments of the twentieth century. In the early days of radio, acoustical distortions made it hard for even the most discerning musical ears to differentiate instruments and voices.The physicists and engineers of interwar Germany, with the assistance of leading composers and musicians, tackled this daunting technical challenge.Research led to the invention in 1930 of the trautonium, an early electronic instrument capable of imitating the timbres of numerous acoustical instruments and generating novel sounds for many musical genres.Myles Jackson charts the broader political and artistic trajectories of this instrument, tracing how it was embraced by the Nazis and subsequently used to subvert Nazi aesthetics after the war and describing how Alfred Hitchcock commissioned a later version of the trautonium to provide the sounds of birds squawking and flapping their wings in his 1963 thriller The Birds. A splendid work of scholarship by an acclaimed historian of science, Broadcasting Fidelity reveals how the interplay of science, technology, politics, and culture gave rise to new aesthetic concepts, innovative musical genres, and the modern discipline of electroacoustics.
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The Radio Phonics Laboratory : Telecommunications, Speech Synthesis & The Birth of Electronic Music
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What is an electronic radio?
An electronic radio is a device that receives radio signals and converts them into sound. It typically consists of a tuner to select the desired radio station, an amplifier to increase the signal strength, and speakers to produce the audio output. Electronic radios can come in various forms, such as portable handheld devices, car radios, or home stereo systems. They allow users to listen to a wide range of radio stations broadcasting music, news, talk shows, and other content.
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What is electronic music?
Electronic music is a genre of music that is created using electronic devices and technology, such as synthesizers, drum machines, and computers. It often features repetitive beats, synthesized sounds, and digital effects. Electronic music can encompass a wide range of styles, including techno, house, dubstep, and ambient, and has been a significant influence on popular music since the 20th century. It is known for its innovative and experimental approach to sound production and has become a prominent genre in contemporary music.
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Is electronic dance music not music?
Electronic dance music (EDM) is indeed music. It is a genre of music that is created using electronic instruments, synthesizers, and computer software. It is characterized by its repetitive beats, synthesized sounds, and often features a strong emphasis on rhythm and bass. While some may argue that EDM is not "traditional" music because it doesn't rely on traditional instruments, it is still a valid form of musical expression that has a wide and dedicated fanbase. Ultimately, music is a subjective experience, and what one person may not consider music, another person may find deeply meaningful and enjoyable.
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Do you listen to electronic music?
As an AI, I don't have the ability to listen to music. However, I have knowledge about electronic music and can provide information or recommendations about it. If you have any specific questions or need assistance related to electronic music, feel free to ask!
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Wave: Electronic Music 1984-1988
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Synthesis: Electronic Music 1984-1988
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The Creative Electronic Music Producer
The Creative Electronic Music Producer examines the creative processes of electronic music production, from idea discovery and perception to the power of improvising, editing, effects processing, and sound design. Featuring case studies from across the globe on musical systems and workflows used in the production process, this book highlights how to pursue creative breakthroughs through exploration, trial and error tinkering, recombination, and transformation. The Creative Electronic Music Producer maps production's enchanting pathways in a way that will fascinate and inspire students of electronic music production, professionals already working in the industry, and hobbyists.
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Electronic and Experimental Music : Technology, Music, and Culture
Electronic and Experimental Music: Technology, Music, and Culture, Sixth Edition, presents an extensive history of electronic music—from its historical beginnings in the late nineteenth century to its everchanging present—recounting the musical ideas that arose in parallel with technological progress.In four parts, the author details the fundamentals of electronic music, its history, the major synthesizer innovators, and contemporary practices.This examination of the music’s experimental roots covers the key composers, genres, and techniques used in analog and digital synthesis, including both art and popular music, Western and non-Western. New to this edition:A reorganized and revised chapter structure places technological advances within a historical framework. Shorter chapters offer greater modularity and flexibility for instructors. Discussions on the elements of sound, listening to electronic music, electronic music in the mainstream, Eurorack, and more. An appendix of historically important electronic music studios around the globe. Listening Guides throughout the book provide step-by-step annotations of key musical works, focusing the development of student listening skills.Featuring extensive revisions and expanded coverage, this sixth edition of Electronic and Experimental Music represents an comprehensive accounting of the technology, musical styles, and figures associated with electronic music, highlighting the music’s deep cultural impact.
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How can one create electronic music?
To create electronic music, one can start by acquiring the necessary equipment such as a computer, digital audio workstation (DAW), MIDI keyboard, and audio interface. Next, they can learn to use the DAW to create and arrange different sounds and beats. Experimenting with synthesizers, drum machines, and samplers can help in creating unique electronic sounds. Additionally, learning about music theory and sound design can also be beneficial in creating electronic music. Finally, practicing and experimenting with different techniques and styles can help in developing one's own unique electronic music.
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"Can electronic music exist without drugs?"
Yes, electronic music can exist without drugs. While drugs have been associated with electronic music culture, the creation and enjoyment of electronic music does not inherently require the use of drugs. Many artists and fans of electronic music engage with the genre without the influence of drugs, and the music itself can be appreciated and enjoyed on its own merits. The association between electronic music and drugs is a cultural phenomenon, but it is not a necessary component for the existence of electronic music.
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Is there electronic music without singing?
Yes, there is electronic music without singing. Electronic music encompasses a wide range of genres and styles, including instrumental electronic music, ambient music, techno, house, and many others that do not feature vocals. In fact, some of the most well-known electronic music artists and producers create entirely instrumental tracks without any singing. These tracks often focus on the use of synthesizers, drum machines, and other electronic instruments to create unique and innovative sounds.
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What is the genre of electronic music?
The genre of electronic music is a broad category that encompasses a wide range of styles and sounds, all of which are created using electronic instruments and technology. This includes subgenres such as techno, house, trance, dubstep, and many others. Electronic music is known for its use of synthesizers, drum machines, and computer software to create unique and innovative sounds. It has been a major influence on popular music and has evolved significantly since its inception in the mid-20th century.
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