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  • Materiality
    Materiality

    Throughout history and across social and cultural contexts, most systems of belief—whether religious or secular—have ascribed wisdom to those who see reality as that which transcends the merely material.Yet, as the studies collected here show, the immaterial is not easily separated from the material.Humans are defined, to an extraordinary degree, by their expressions of immaterial ideals through material forms.The essays in Materiality explore varied manifestations of materiality from ancient times to the present.In assessing the fundamental role of materiality in shaping humanity, they signal the need to decenter the social within social anthropology in order to make room for the material.Considering topics as diverse as theology, technology, finance, and art, the contributors—most of whom are anthropologists—examine the many different ways in which materiality has been understood and the consequences of these differences.Their case studies show that the latest forms of financial trading instruments can be compared with the oldest ideals of ancient Egypt, that the promise of software can be compared with an age-old desire for an unmediated relationship to divinity.Whether focusing on the theology of Islamic banking, Australian Aboriginal art, derivatives trading in Japan, or textiles that respond directly to their environment, each essay adds depth and nuance to the project that Materiality advances: a profound acknowledgment and rethinking of one of the basic properties of being human. Contributors. Matthew Engelke, Webb Keane, Susanne Küchler, Bill Maurer, Lynn Meskell, Daniel Miller, Hirokazu Miyazaki, Fred Myers, Christopher Pinney, Michael Rowlands, Nigel Thrift

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  • Materiality and Architecture
    Materiality and Architecture

    Once regarded a secondary consideration, in recent years, materiality has emerged as a powerful concept in architectural discourse and practice.Prompted in part by developments in digital fabrication and digital science, the impact of materiality on design and practice is being widely reassessed and reimagined. Materiality and Architecture extends architectural thinking beyond the confines of current design literatures to explore conceptions of materiality across the field of architecture.Fourteen international contributors use elucidate the problems and possibilities of materiality-based approaches in architecture from interdisciplinary perspectives.The book includes contributions from the professions of architecture, art, architectural history, theory and philosophy, including essays from Gernot Böhme, Jonathan Hill and Philip Ursprung. Important 'immaterial' aspects such as presentation, agency, ecology and concept are examined, deepening our understanding of materiality’s role in architectural processes, the production of cultural identities, the pursuit of political agendas, and the staging of everyday environments and atmospheres.In-depth illustrated case studies examine works by Herzog & de Meuron, Zaha Hadid, and Lacaton & Vassal, interspersed with visual essays and interviews with architects such as MVRDV providing a direct connection to practice.Materiality and Architecture is an important read for researchers and students with an interest in architectural theory and related fields such as art, art history, or visual and cultural studies.

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  • The Materiality of Architecture
    The Materiality of Architecture

    A new paradigm combining architectural tradition with emerging technologies Digital tools have launched architecture into a dizzying new era, one in which wood, stone, metal, glass, and other traditional materials are augmented by pixels and code.In this ambitious exploration, an eminent thinker examines what, exactly, the building blocks of architecture have meant over the centuries and how technology may—or may not—be changing how we think about them. Antoine Picon argues that materiality is not only about matter and that the silence and inscrutability—the otherness—of raw materials work against humanity’s need to live in a meaningful world.He describes how people define who they are, in part, through their specific physical experience of architectural materials and spaces.Indeed, Picon asserts, the entire paradox of the architectural discipline consists in its desire to render matter expressive to human beings.Through a retrospective review of canonical moments in Western European architecture, Picon offers an original perspective on the ways materiality has varied throughout centuries, demonstrating how experiences of the physical world have changed in relation to the evolution of human subjectivity. Ultimately, Picon concludes that computer-based design methods are not an abrupt departure from previous architectural traditions but rather a new way for architects to control material resources.The result reinforces the fundamentally humanistic nature of architectural endeavor with an increasing sense of design freedom and a release from material constraint in the digital era.

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  • Renaissance Personhood : Materiality, Taxonomy, Process
    Renaissance Personhood : Materiality, Taxonomy, Process

    Unfolding as a series of materially oriented studies ranging from chairs, machines and doors to trees, animals and food, this book retells the story of Renaissance personhood as one of material relations and embodied experience, rather than of emergent notions of individuality and freedom.The book assembles an international team of leading scholars to formulate a new account of personhood in the sixteenth and seventeenth centuries, one that starts with the objects, environments and physical processes that made personhood legible.

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  • What is materiality in art? Please help.

    Materiality in art refers to the physical qualities and characteristics of the materials used to create a work of art. This includes the texture, color, weight, and form of the materials, as well as how they are manipulated and arranged by the artist. Materiality can greatly impact the overall aesthetic and meaning of a piece, as artists often use materials to convey emotions, concepts, and messages in their work. By paying attention to materiality, viewers can gain a deeper understanding and appreciation of the artwork and the artist's intentions.

  • What is your preferred music medium: radio, vinyl, CD, or music streaming?

    My preferred music medium is music streaming. I enjoy the convenience of being able to access a wide variety of music from different artists and genres at my fingertips. Music streaming services also allow me to create personalized playlists and discover new music easily. Additionally, the ability to listen to music on the go without having to carry physical CDs or vinyl records is a big plus for me.

  • What is an album artist?

    An album artist is the primary musician or band responsible for creating and producing an entire album of music. They are typically the main creative force behind the album, contributing to the songwriting, performance, and overall direction of the music. The album artist's name is often prominently featured on the album cover and is used to promote and market the music to the public.

  • How is the good old FM radio doing in the age of music streaming?

    Despite the rise of music streaming services, FM radio continues to have a strong presence in many regions. FM radio offers a more curated experience with live DJs, local news, and community engagement that streaming services may not provide. Additionally, FM radio is easily accessible and free, making it a popular choice for many listeners, especially in cars and workplaces where internet connectivity may be limited. While music streaming has gained popularity, FM radio continues to thrive by offering a unique listening experience that appeals to a wide audience.

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  • Experimental Film and Queer Materiality
    Experimental Film and Queer Materiality

    Often described as an art of abstraction and subjective introspection, experimental film is also invested in exploring daily objects and materials and in channeling, in the process, a peculiar perception of the modern everyday that this book calls queer materiality.Queer materiality designates the queer latency of modern material culture, which often inspired queer artists and filmmakers to envision wayward bodies and behaviors, and refers to the way in which sexual and social dissidence was embedded in the objects, technologies, substances, and spaces that make up the hardware of experience. This book studies a rich archive of queer material engagements in work by well-known filmmakers such as Andy Warhol, Barbara Hammer, Carolee Schneemann, and Jack Smith as well as under-recognized figures such as Tom Chomont, Jim Hubbard, Ashley Hans Scheirl, and Teo Hernández.Combining history, formal analysis, and theoretical reflection, author Juan A.Suárez shows how plastics, glitter, mechanical ensembles, urban ruins, garbage, amphetamine, film grain, and noise have been mobilized in the articulation of queerness for the screen.Experimental Film and Queer Materiality is an inquiry into the liveliness of matter and into the interface between sexuality and the material world.

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  • Girl Head : Feminism and Film Materiality
    Girl Head : Feminism and Film Materiality

    Girl Head shows how gender has had a surprising and persistent role in film production processes, well before the image ever appears onscreen. For decades, feminist film criticism has focused on issues of representation: images of women in film.But what are the feminist implications of the material object underlying that image, the filmstrip itself?What does feminist analysis have to offer in understanding the film image before it enters the realm of representation?Girl Head explores how gender and sexual difference have been deeply embedded within film materiality.In rich archival and technical detail, Yue examines three sites of technical film production: the film laboratory, editing practices, and the film archive.Within each site, she locates a common motif, the vanishing female body, which is transformed into material to be used in the making of a film.The book develops a theory of gender and film materiality through readings of narrative film, early cinema, experimental film, and moving image art. This original work of feminist media history shows how gender has had a persistent role in film production processes, well before the image ever appears onscreen.

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  • Doris Salcedo : The Materiality of Mourning
    Doris Salcedo : The Materiality of Mourning

    A compelling look at Doris Salcedo’s works from the past fifteen years, exploring how the artist challenges not only the limits of the materials she uses but also the traditions of sculpture itself Colombian sculptor and installation artist Doris Salcedo (b. 1958) creates works that address political violence and oppression.This pioneering book, which focuses on Salcedo’s works from 2001 to the present, examines the development and evolution of her approach.These sculptures have pushed toward new extremes, incorporating organic materials—rose petals, grass, soil—in order to blur the line between the permanent and the ephemeral. This insightful text illuminates the artist’s practice: exhaustive personal interviews and deep research joined with painstaking acts of making that both challenge limits and set new directions in materiality.Mary Schneider Enriquez convincingly argues for viewing Salcedo’s oeuvre not just through a particular theoretical lens, such as violence studies or trauma and memory studies, but for the profound way the artist engages with and expands the traditions of sculpture as a medium.Distributed for the Harvard Art MuseumsExhibition Schedule:Harvard Art Museums (11/04/16–04/09/17)

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  • Modernism and the Materiality of Texts
    Modernism and the Materiality of Texts

    Modernism and the Materiality of Texts argues that elements of modernist texts that are meaningless in themselves are motivated by their authors' psychic crises.Physical features of texts that interest modernist writers, such as sound patterns and anagrams, cannot be dissociated from abstraction or made a refuge from social crisis; instead, they reflect colonial and racial anxieties of the period.Rudyard Kipling's fear that he is indistinguishable from empire subjects, J.M. Barrie's object-relations theater of infantile separation, and Virginia Woolf's dismembered anagram self are performed by the physical text and produce a new understanding of textuality.In readings that also include diverse works by Gertrude Stein and Alice Toklas, P.G. Wodehouse and Conan Doyle, J. M. Barrie, George Herriman, and Sigmund Freud, this study produces a new reading of modernism's psychological text and of literary constructions of materiality in the period.

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  • How large is your music playlist?

    My music playlist is quite large, with over 500 songs from various genres and artists. I like to have a diverse selection of music to choose from depending on my mood or the occasion. I enjoy discovering new music and adding it to my playlist, so it continues to grow over time. Having a large playlist allows me to have a wide range of options for any situation.

  • Which streaming provider is the best for music streaming?

    The best streaming provider for music streaming can vary depending on individual preferences and needs. Some popular options include Spotify, Apple Music, and Amazon Music. Spotify is known for its extensive music library, personalized playlists, and user-friendly interface. Apple Music is favored for its seamless integration with Apple devices and exclusive content. Amazon Music offers a wide selection of music, including access to a large library of songs for Amazon Prime members. Ultimately, the best streaming provider for music streaming will depend on factors such as music preferences, device compatibility, and additional features desired.

  • What is a debut album? A debut album is an album that marks the debut of an artist or band.

    It is the first full-length album released by the artist or band, and it is often seen as their introduction to the music industry and the public. Debut albums are significant because they set the tone for the artist's career and can make a lasting impression on their audience. These albums are often highly anticipated and can be a defining moment in an artist's musical journey.

  • What is your favorite music album?

    As an AI language model, I don't have personal preferences, but I can tell you that one of the most popular and critically acclaimed albums of all time is "The Dark Side of the Moon" by Pink Floyd. Released in 1973, this album is known for its innovative sound, thought-provoking lyrics, and seamless transitions between tracks. It has been praised for its concept and thematic elements, and it continues to be a beloved and influential album in the world of music.

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