Products related to Track:
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Roxy Music On Track : Every Album, Every Song
In ten short years, Roxy Music made two of the most experimental albums in popular music history and one of the most smoothly romantic.Conceived by Bryan Ferry at the turn of the 1970s, the band released its first album, Roxy Music, to wide acclaim in 1972 and swiftly followed up with the ground-breaking single 'Virginia Plain'.Ferry, Andy Mackay, and Phil Manzanera remained Roxy's core players over seven more albums, in three distinct phases. The debut and For Your Pleasure (1973) featured all manner of electronic weirdness from Brian Eno, while Stranded (1973), Country Life (1974), and Siren (1975) marked the peak of Ferry's songwriting and struck a delicate balance between edgy art and gorgeous craft.Finally, Manifesto (1979), Flesh + Blood (1980), and Avalon (1982), the last two without powerhouse founding drummer Paul Thompson, framed Ferry's tales of doomed romance within a sophisticated wash of sound that used the studio itself as an instrument. The members of Roxy Music have had long and distinguished careers outside the band, but nothing can surpass the eight albums they made together.This book tells the musical story of this most enigmatic of British bands.
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Elvis Presley Artist Of The Century - 10-track 1999 UK CD album 74321681332
ELVIS PRESLEY Artist Of The Century (Rare 1999 UK 10-track official BMG promotional-only CD sampler for the box set superb custom pixelated digipak picture sleeve! 74321 68133-2) 1. Mystery Train2. Heartbreak Hotel3. Hound Dog4. Dont Be Cruel5. All Shook Up6. Jailhouse Rock7. Its Now Or Never8. Are You Lonesome Tonight9. Cant Help Falling In Love10. Suspicious Minds
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Steve Hackett On Track : Every Album, Every Song (On Track)
Guitarist Steve Hackett first came to many fan's attention when he joined Genesis in 1971.Following seven excellent albums with the band, he went his own way in 1977.He had already kick started his solo career with the critically acclaimed Voyage of the Acolyte in 1975 but 24 studio albums followed, making him the most prolific member of the classic Genesis line-up.In the 1980s, he also formed GTR with Yes guitarist Steve Howe and they enjoyed commercial success with a hit album and single.Steve's solo work has embraced rock, prog, classical, blues, pop, jazz and world music, all performed with style and panache and his most recent album At the Edge of Light released in 2019 is perhaps his best since the classic Spectral Mornings in 1979.On stage, he has kept the Genesis flame burning brightly, performing the band's classic material from the 1970s alongside his own work.He remains one of the most innovative and influential musicians in rock. This book examines, in detail, each one of Steve's studio albums and traces his long and varied history.Collaborations, live albums and compilations are also discussed, making this the most comprehensive guide to the music of Steve Hackett yet published.Whether the reader is a diehard fan or someone wishing to catch-up on his post Genesis work, Steve Hackett on track is essential reading
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Aimee Mann On Track : Every Album, Every Song (On Track)
Any consideration of the song writing craft would be incomplete without the inclusion of American singer/songwriter Aimee Mann.From her first steps as singer and bass player with '80s synth pop band 'Til Tuesday, who scored a massive MTV hit with 'Voices Carry' in 1985, she has continually produced starkly autobiographical and often ironically melodic songs that cut through the emotional detail.With a career now spanning almost forty years, she has built a catalogue of nine studio albums since going solo in the early 1990s and, via a series of record label frustrations, has developed into a fiercely independent recording artist, flying outside the mainstream.Her critical acclaim has never wavered, and whilst happy to work in a niche market, her soundtrack for the film Magnolia and the accompanying Oscar nomination raised her profile considerably, adding to her stalwart army of fans. This book gives an overview of Aimee Mann's career from her earliest days, making it big with 'Til Tuesday and onward through her solo career to date, investigating every recorded track in a comprehensive guide for fans and new listeners keen to investigate a true original and double Grammy winner whose songs should be much more widely recognised.
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What does "track by track" mean in relation to music?
"Track by track" refers to the process of analyzing or discussing an album by examining each individual song separately. This approach allows for a more in-depth exploration of the music, lyrics, and overall themes of each track. It also provides a way for listeners and critics to evaluate the album as a whole, as well as the strengths and weaknesses of each individual song. This method of reviewing or discussing music can provide a more comprehensive understanding and appreciation of an artist's work.
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With which program can one separate the vocal track from the music track?
One program that can separate the vocal track from the music track is called "Spleeter." Spleeter is an open-source tool developed by Deezer that uses machine learning algorithms to isolate vocals from a mixed audio track. By using Spleeter, users can easily extract the vocals or instrumental parts of a song for remixing, sampling, or other creative purposes.
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With which program can you separate the vocal track from the music track?
You can separate the vocal track from the music track using audio editing software such as Adobe Audition, Audacity, or iZotope RX. These programs have features that allow you to isolate and manipulate different elements of an audio track, including vocals and music. By using these tools, you can effectively separate the vocal track from the music track for various purposes such as remixing, karaoke, or audio restoration.
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Find the original Lavender Town music track.
The original Lavender Town music track is from the Pokémon Red and Blue video games released in 1996. It is a haunting and eerie tune that plays in the Lavender Town area of the games. The track has become iconic for its unsettling melody and has been the subject of various urban legends and creepypastas. It can easily be found by searching for "Lavender Town original music" on platforms like YouTube or Spotify.
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Streaming Music, Streaming Capital
In Streaming Music, Streaming Capital, Eric Drott analyzes the political economy of online music streaming platforms.Attentive to the way streaming has reordered the production, circulation, and consumption of music, Drott examines key features of this new musical economy, including the roles played by data collection, playlisting, new methods of copyright enforcement, and the calculation of listening metrics.Yet because streaming underscores how uneasily music sits within existing regimes of private property, its rise calls for a broader reconsideration of music’s complex and contradictory relation to capitalism.Drott's analysis is not simply a matter of how music is formatted in line with dominant measures of economic value; equally important is how music eludes such measures, a situation that threatens to reduce music to a cheap, abundant resource.By interrogating the tensions between streaming’s benefits and pitfalls, Drott sheds light on music’s situation within digital capitalism, from growing concentrations of monopoly power and music’s use in corporate surveillance to issues of musical value, labor, and artist pay.
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Music in Orbit : Satellite Radio in the Streaming Space Age
Years before the advent of music streaming, Sirius and XM established satellite radio services that attracted paying subscribers through their ever-expanding lineup of niche music channels and exclusive celebrity-hosted programming.Music in Orbit is the first book to explore how satellite radio bridges legacy broadcast music radio and streaming platforms, serving as both precursor and integral player in today's streaming media environment.Arguing for the ongoing significance of radio in the digital age and the pernicious effects of monopoly power on the vibrancy of contemporary music industries, Music in Orbit offers essential context for the serious problems now facing working musicians, music consumers, and music communities.
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Renaissance Every Album, Every Song (On Track )
Renaissance, a much beloved but highly underrated English progressive rock band, began life in 1969 as an offshoot of The Yardbirds.Keith Relf and Jim McCarty, who had recently left that iconic blues-rock group, decided to put together a new band that would differ from its predecessor by being more influenced by classical and folk music.After releasing two albums in 1969 and 1971, The band then quickly underwent a 100 percent turnover in personnel, resulting in an entirely new RenaissanceThe new band was distinguished by the astonishingly beautiful five-octave-range vocals of their lead singer, Annie Haslam, their lengthy, multi-movement, classically inspired compositions, and their unusual instrumentation.Renaissance released six classic studio albums, and one live double album, between 1972 and 1978, even scoring a UK hit with 'Northern Lights'.The late 1970s and early 1980s saw the band commercialise with limited success, before folding. The 21st century, with Haslam continuing as the band's distinctive voice, Renaissance has returned to its orchestral/symphonic rock roots with two studio albums of new material and multiple live releases featuring contemporary treatments of its 1970s classics.This volume, the first ever published on Renaissance, assesses their entire career, covering every song on every album.It is the essential guide to the recorded works of a group that deserves to be ranked among the greatest in the progressive rock genre.
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Opeth On Track : Every Album, Every Song
A 'cult' band with a mass following, the band's last five albums have made the top 30 in the UK.Still active, recording and touring. Completely unique - no other band mixes progressive rock, metal and jazz in the same way. There has never been - and never will be - another band like Opeth.Formed in Stockholm, Sweden circa 1989, their roughly thirty-year career showcases a melding of diverse influences; a prevailing commitment to songwriting and instrumental excellence; and unwaveringly chameleonic vision - no matter the cost - that's unmatched by any of their stylistic peers.Be it their most unashamedly brutal early LPs, their multifaceted and near-faultless mid-period opuses, or their somewhat polarizing recent glimpses into macabre 1970s-esque prog/jazz rock eccentricity, mastermind Mikael Akerfeldt and company continuously create records that push themselves, their audience, and progressive music as a whole, forward.The result is easily among the most extraordinary, dependable, and laudable legacies in modern metal. Using a meticulously crafted mixture of original analysis and behind-the-scenes research, this book digs into all facets of Opeth's output to discover how they innovated and evolved with practically every release.After all, each 'observation' - from their 1990s black metal classics (Morningrise and My Arms, Your Hearse) and 2000s progressive death metal masterpieces (Blackwater Park and Ghost Reveries) to their stunning progressive rock/jazz fusion excursions of the 2010s (Pale Communion and In Cauda Venenum) - found Opeth ceaselessly harvesting a one-of-a-kind catalogue that's still remarkably influential and impressive
Price: 15.99 £ | Shipping*: 3.99 £
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What exactly is a track in music?
In music, a track refers to an individual song or piece of music that is recorded and released as part of an album, EP, or single. It is a discrete, self-contained musical composition that can stand alone or be part of a larger collection of tracks. Tracks are typically identified by a unique title and are often organized and categorized within a music library or streaming service. In the context of recording and production, a track also refers to an individual channel or layer of audio that is combined with other tracks to create a final mix.
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How should I cite a music track or album in the bibliography of a research paper?
When citing a music track or album in the bibliography of a research paper, you should include the artist's name, the title of the track or album in italics, the year of release, the format (e.g., CD, digital download), and the name of the record label. For example: Smith, John. "Song Title." Album Title, Record Label, Year. If you accessed the music online, you should also include the URL and the date you accessed it. Make sure to follow the specific citation style required by your institution or publication.
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How should I list a music track or album in the bibliography of a research paper?
When listing a music track or album in the bibliography of a research paper, you should include the artist's name, the title of the track or album in italics, the year of release, the format (e.g., CD, digital download), and the record label. If you accessed the music online, include the URL or DOI. It is also important to follow the citation style guide recommended by your institution or publisher, such as APA, MLA, or Chicago.
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What is the yellow track in Magix Music Maker?
The yellow track in Magix Music Maker is typically used for adding vocal recordings or other lead instruments to a project. It allows users to easily layer vocals or melodies on top of existing music tracks. The yellow track is a versatile tool for creating dynamic and engaging compositions in the software.
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